Two studios crammed with gear. A state-of-the-art control room.
And a vibe only a converted stone barn can provide.

A band rehearsing in a recording studio, with a guitarist, drummer, bassist, and keyboardist, surrounded by musical equipment.

Studio A

Our main cutting room is acoustically tuned to produce world-class recordings. Sound isolators and moveable gobos plus vintage, new, and task-specific mics create exactly the sound you’re after. Studio A is also available as a rehearsal space.

A musician recording in a studio, wearing sunglasses and headphones, standing behind a microphone and two drums, with a glass partition in front.

Studio B

Studio B provides an intimate setting for solo instruments, vocal performances, voice-over work, and streaming. Three isolation booths provide pristine recordings of vocals and instruments. And it's a great place for your next podcast.

Derek Chafin working at a music production station with a computer and large speakers in a room with a stone wall background.

Control Room + Lounge

BarnSound’s acoustic signature is warm, big, and bright thanks to the design of the rooms, top-tier vintage instruments, incredible audio gear, and the processing capabilities of the control room. Experienced ears and a splash of aged bourbon help, too!

A vintage microphone on a stand and a toy accordion.

Gear

audio card:
Apollo 8p, 16, Twin, and Quad box programs: Cubase, Pro Tools, Reason, and Wave Lab

plug-ins:
Full UA suite and many more

speakers:
Yamaha NS10’s and Tannoy Little Gold’s

mic pres:
API 512’s and 212’s, Neve 1272’s, V72’s, VinTech x73i and 573’s, AML ez1073, UAD 6176, and Avalon VT 737

outboard:
Summit DCL 200 stereo, Hairball 1176’s, Summit TLA 50, Demeter VTCL2’s, SSL Bus, DBX 166, UA 6176 and Avalon VT 737, Roland RE-201tape delay

mics:
Neumann 47, 84’s, and 193 , AKG, 414’s, silver 414, 451’s, d112’s, D19, Coles 4338, Royer 121, Sennheiser 421’s, Peluso, SE R1 ribbon and Gemini, Trident ribbon, RCS ribbon, Sure 55, 58’s and 57’s, Altec Lansing

electric guitars:
68 Fender Tele, ’65 Epiphone Riviera, ’58 Gibson 125, ’70 Rickenbacker, Strat, Danelectro, D’Armand, and Fender Baritone

acoustic guitars:
mid 70’s Martin D18, ’36 Gibson L3, ’60’s Silvertone Nylon, ’60’s Harmony Sovereign, Alvarez.

basses:
Fender Precision, Yamaha, Kay upright

drums + percussion:
70’s Ludwig kit, '65 Gretsch round badge kit, Premier kit, with Ayotte, Yamaha, Ludwig and Gretsch snares. Zildjian and Paiste cymbals, 1902 Ludwig bass drum, congas, bongos and various other percussion instruments

keyboards:
Steinway 1941 Grand Model L and 1910 K52 full upright pianos, Wurlitzer, Hammond A100 with Leslie, Rhodes 76, Prophet 6 and various synths

amps:
mid 70’s Fender Twin, ’65 Fender Super, mid 70’s Marshall 50 Watt, Divided By 13, Buddha, vintage 1482 Silvertone, Ampeg ‘60’s B15, 70’s SVT and ‘64 ReverboRocket

for transfers or restorations:
ADATs, Tascam DAT, and Otari 50/50 ¼-inch reel-to-reel